Histories of the Immediate Present series will cover biennales, art fairs, design exhibitions, literary festivals and performance art events of seminal importance in...
Aileen Blaney |
‘Still (the) Barbarians’ is the title given by guest curator Koyo Kouoh to 2016 edition of EVA International, inspired by the biennial’s...
Soudhamini V |
I started teaching at Srishti three years ago. Throughout my first year I taught fiction film making, as I knew it both from my own learning in film...
Charu Maithani |
Proprioception.in is a website that is dedicated to experimental videos and artists’ films, net art and digital publications. It places itself in...
A. P. Ashwin Kumar |
The Liberal and the Nationalist
In recent days the idea of nationalism has again come into focus in mainstream political discussions in India....
Alison Byrnes |
The relationship between art-making and money-making has always been fraught. The desire to make art, at least for the past hundred years, has been...
Shashikala Srinivasan |
While there has been a long-standing narrative of crisis on the institution of the university in India and the West, we can identify some...
Dilip da Cunha / Anuradha Mathur |
The maidan is familiar to designers as an open space in Indian settlements: a typically bare ground appropriated for multiple uses...